The plan is unfolding at the Coutts Centre for Western Canadian Heritage northeast of Nanton, Alberta. Camera obscura is Latin for ‘dark room,’ and as the group undertaking the project explains it, “the basic idea is to have light enter through a pinhole into a dark space; thereby creating a projected image,” says Dr. Josephine Mills, Director/Curator at the University of Lethbridge Art Gallery. “This is the forerunner of the camera and the source of the name of this technology.”
Pinhole camera technology is one of the earliest forms of photography, and using the grain bin just takes something that can be make out of a cereal box or cardboard tube, and expands it to a huge scale, with what could be very interesting results.
“I’ve always wanted to exhibit the fabulous contraptions built by Kamloops artist Donald Lawrence to take pinhole photographs and make projected images,” explains Mills, “When I heard about Donald’s major SSHRC Research Creation Grant and the team of artists he had put together for the project, I knew that bringing these artists to work at the Coutts Centre for Western Canadian Heritage was a perfect match,”
So what will the finished photographs look like?
Calgary artist Dianne Bos is setting up her “See the Stars” prospector’s tent where she’ll make cyanotype prints. “Cyanotype is a photographic printing process that produces a cyan-blue print, says Mills. “It was used by engineers well into the 20th century as a simple and low-cost way to produce copies of drawings called blueprints.”
Holly Ward, from Vancouver, is using cyanotype photography to explore the Coutts’ herbarium collection and will provide demonstrations throughout the day. Sarah Fuller, based in Ottawa, will install video projects related to the Coutts home and gardens and conduct an Anthotype workshop using local spinach.
The Prairie Sun Project, as it’s being called happens on August 21, 2016 is the first project involving major Canadian artists creating work at the Coutts Centre.